Sarah Mortimore reviews Northern Ballet’s new production Geisha.
Open Theatre’s Normal: An Alarming True Story of Horror Brought to Life
Anthony Neilson’s haunting tale of Peter Kurten, a prolific serial killer who terrorised the people of Dusseldorf in the 1930s, has been brought to life extraordinarily by Open Theatre’s production. Eve Walton’s direction tells the […]
LUU’s Music Theatre Society’s Little Women: Absolutely Delightful
Louisa May Alcott’s Little Women is a story told in many forms, from a BBC television series to an Oscar Nominated film we have watched the March sisters grow into the kind and perfectly imperfect […]
Theatre Group’s Posh: A Roaring Success
Laura Wade’s award-nominated play first debuted at the Royal Court a decade ago, but as George Marlin writes in his director’s note, “Posh is as relevant and topical in a post-Brexit Britain as it was […]
Review: Junk Theatre’s The Dinner Party
As the audience filed into the Alec Clegg theatre they were confronted with a bleak view courtesy of writer and director George Manson. Dried leaves littered the stage floor, which had been transformed into a […]
Review: Theatre Group’s Random Acts of Malice
An intense personal tragedy, Random Acts of Malice was made successful by its versatile actors who balanced a heavy, difficult script with their own compelling characterisation. “Four people in a room with a gun” is […]
“Oh My Gosh”: SMS’s Legally Blonde Takes Leeds By Storm
Having seen my fair share of student musicals, I’m always more than impressed by the extent to which amateur theatre groups are able to keep an overabundance of plates spinning in a professional manner. However, […]
Avenue Q: An Absolute Pleasure.
In a climate increasingly aware of political correctness, putting on a show that somewhat crudely tackles racism, homosexuality and pornography is no easy feat. That being said, throw in fantastic direction, a tight-knit band, a […]
A reflection on Theatre Group’s ‘Our Country’s Good’, a play directed by Sammy Parmenter
Helena Smith delivers a reflection on her experience watching Theatre Group’s production of ‘Our County’s Good’, and assesses the importance of the performing arts within university life.
Kay Mellor: Band of Gold Review
Kay Mellor, a heroine of the north, has recently taken the bold leap from the screen to the stage with ‘Band of Gold’, a migration met with bubbling anticipation and subsequent celebratory reviews. Tracing the […]
Review: Theatre Group’s Cock
Cock premiered in 2011 in the Royal Court Theatre, it was written by Mike Bartlet, an University of Leeds alumni, and this year it completes 10 years since its creation. The play defies expectations of […]
Sleeping Beauty at the Carriageworks: A Review.
This review was a collaboration between Marit Foekens and Hannah Cox. Tired students, Drag Queens and a children’s fairytale. It was a trio we never knew we needed until last week. When walking into the […]