Watching a film for the twentieth time?
Tala Al-Kamil considers why we often return to favourite films and TV shows over and over again.
Phantom of the Open: Hysterical tale of persistence
Maurice Flitcroft (Mark Rylance) is a happy-go-lucky crane operator in Barrow-in-Furness. Close to redundancy during the 1970s recession, he is told
Demystifying the 2022 Oscars: Who is Set to
Writer Niall Mapplebeck explores the varying contenders for this year's Oscars ceremony
The Batman: “Hardboiled detective noir disguised as a
Batman is arguably cinema’s most treasured superhero. And yes, The Batman is a superhero film – but it is also
Let’s Settle the Debate: The Godfather Part I
It's been 50 years since the release of The Godfather, one of cinema's all-time greats. Krishna Srinivasan attempts to settle
Valentine’s Day, Please Go Away
Writer Louisa Hall cherry-picks some great comfort films to watch with some chocolate instead of the usual Valentine's Day Rom
Review: Titane – Ducournau’s French Revival of Body
Oliver Ellis reviews Julia Ducournau's newest film Titane, a new Body Horror flick.
Review: All Too Well – Plaudits For Swift’s
Francesca Iucci reviews Taylor Swift's debut short film - All Too Well.
A Love Letter to Chalet Girl
Arts and Culture Editor Mia Fulford paints a homage to a truly festive treat, Chalet Girl.
The French Dispatch: Review
Mia Stapleton writes why The French Dispatch is the ode to journalism that we did not know we needed.