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Tag: ls2 music

Review:: Seán McGowan – Seán McGowan EP

Posted on 14th December 2012 by The Gryphon Web Editor

    Punk-folk singer-songwriter Seán McGowan’s debut EP is an unrefined mix of politically charged lyrics, powerful vocals and aggressively strummed guitar.  Opening with catchy, Jamie-T-with-a-bit-more-backbone number ‘Never Let Us In’ and moving on through […]

Live Review:: Ben Howard @ O2 Academy

Posted on 14th December 2012 by The Gryphon Web Editor

“Hello Leeds!” were two of about seven words softly squeaked by rootsy melodic folkster Ben Howard during his visit to the O2 Academy. After a slow and intense opener, in the form of ‘Burgh Island’, […]

Feature:: Brits Critics' Choice Award Nominees 2013

Posted on 14th December 2012 by The Gryphon Web Editor

  Tom Odell, Laura Mvula and AlunaGeorge have been tipped to follow in the footsteps of the of Adele, Florence and the Machine and Emeli Sande with the announcement of the shortlist for the Brit […]

Live Review:: Wild Nothing @ Brudenell Social Club

Posted on 14th December 2012 by The Gryphon Web Editor

Although there has been heaps of hazy dream pop coming from overseas for the past few years, Wild Nothing prove the genre has yet to stagnate. Wild Nothing are a unique take on the genre: […]

Live Review:: Crystal Castles @ O2 Academy

Posted on 14th December 2012 by The Gryphon Web Editor

Amidst a thick wall of relentless bass and wailing synths, Alice Glass shrieks and screams, working the O2’s super-charged crowd into a pulsing sea of energy; the move to larger venues, it seems, has not […]

Feature:: 6 Of The Worst Advert Cover Songs Ever

Posted on 24th November 2012 by The Gryphon Web Editor

All thanks to the new advert culture of twee and all-too-emotional covers of classic songs, is advertising endangering our music knowledge? Are we soon to know songs by brand instead of band and disregard originals […]

Live Review:: Dog is Dead – Cockpit

Posted on 23rd November 2012 by The Gryphon Web Editor

The Nottingham indie quintet jumped up onto the sold-out Cockpit stage to a cheers predominantly from young girls, and left the stage surrounded by at least 20 dancing stage-invaders, a group that was predominantly young […]

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