Would a ‘Harry Potter’ TV series be magical?
I groaned when I first read the online headline speculating that Harry Potter may be getting a television reboot but...
film
Do biopics romanticise the lives of real people?
Over the last few years biopics have dominated the cinema scene, with high budgets and eager audiences, the genre has...
Studio Fiasco, Netflix Eclipse & Death to Popcorn – Interview with BAFTA Nominee, Mark Herman
When the opportunity presented itself to interview British filmmaker, Mark Herman, it was too bountiful of an opportunity to not...
‘The Midnight Sky’ review: George Clooney fails to save humanity from lockdown boredom
Netflix’s latest big-budget project, The Midnight Sky, is a sci-fi drama directed by and starring George Clooney. The film focuses on...
Review: Dash and Lily
Dash & Lily is an American Christmas-based rom-com Netflix show based in New York City. The show is based on the...
Todd Phillips’ Joker is a conflation of ‘Travis Bickle and Rupert Pupnick’: What David Fincher’s comments on Joker reveal about the film industry today
Director of 1999 cult classic Fight Club unapologetically shared his views on Todd Phillips’ 21st-century adaptation of one of the...
‘Saint Maud’ Review: Not your regular escape to Scarborough…
Saint Maud is a good, old-fashioned religious allegory engrossing viewers with its horror elements and introducing audiences to the important, local...
Movies losing momentum – is the end near in sight?
Since Cineworld’s decision to purchase Picture House in December of 2012, they have enjoyed a large portion of the independent...
Da 5 Bloods Review: Spike Lee does not quite strike gold
The latest Spike Lee “Joint” arrived on Netflix on June 12th, off the back of Lee’s 2018 critical success with BlacKkKlansman. Da...
Extraction Review: What can be salvaged from Netflix’s latest action-packed feature?
In Extraction, ex-Asgardian Chris Hemsworth plays a stoic Australian mercenary, Tyler Rake, flung into a world of crime. Rake’s recruitment is...