Mark Herman, interviewed by writer Jack Denison, touches upon the evolution of cinema, frustrations with the film industry and how popcorn just doesn’t cut it anymore.
Jack Denison discusses the triumphs and pitfalls of Netflix’s latest original release, The Midnight Sky.
Jack Denison reviews Netflix and David Fincher’s collaboration: Mank.
Madeleine Gauci Green reviews Hulu’s latest holiday hit ‘Happiest Season’.
Giulio Bajona shares four iconic characters and moments from this ‘unprecedented’ year, in a cultural countdown of 2020
Grace Mortley reviews ‘Ouverture of Something that Never Ended’, the ethereal world created by Gucci and Gus Van Sant.
Roxanna Zoughi unpacks what David Fincher’s comments mean for the future of the film industry.
Print Editor Sinead O’Riordan: Synecdoche, New York, Charlie Kaufman (Amazon Prime) This is a weird one to wrap your head around. It‘s basically a film about a play about a play, with all linear understanding […]
Take a look back at how the arts world has treated President Trump over the years and what new material he has given them to work with.
Scarborough local Seamus O’Hanlon reviews the chilling and poignant ‘Saint Maud’.
Ishwari Yardi reviews Netflix’s latest horror film ‘His House’, a film that tackles poignant themes of asylum seeking and settling in to a new home.
The main thing is; it’s funny and it confirms that contemporary American society is absurd. The plot doesn’t really matter. The hammed attempts of tear-jerking moments don’t really matter. What matters is that Borat has […]