Hemma Daddral reviews Lana Del Rey’s seventh studio album, Chemtrails Over The Country Club, which delivers nostalgia to fans in a journey of reminiscence.
Ben Forrest reviews the new album from Leeds-based art-rock indie guitar gurus Mush, Lines Redacted.
Ben Forrest reviews the new album from Psychedelic Porn Crumpets, Shyga! The Sunlight Mound.
Fern McErlane caught up with Pale Waves’ frontwoman Heather Baron-Gracie ahead of the release of their second album, Who Am I?
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.
Harry Bedder reviews the new album from Icelandic post-rock aficionados Sigur Rós, Odin’s Raven Magic.
Freya Martin reflects on shame’s latest single ‘Water in the Well,’ as well as their upcoming 2021 album and tour.
Jonny Winter reviews lofi R&B sad-boy Joji’s new album, Nectar.
Bella Wigley reviews the debut album from Beabadoobee, Fake It Flowers.
Liam Cattermole reviews anonymous music collective SAULT’s new album, Untitled (Rise).
It’s difficult enough to review a 22-track album in less than 300 words let alone an album so packed with detail as this one is. The 1975’s third studio album comes a mere 91 days […]