Kate Wassell reviews Wolf Alice’s long-awaited return, Blue Weekend, terming it their strongest project yet.
Ahead of the release of their highly anticipated new album Blue Weekend, Lucy Barber spoke to Wolf Alice’s Joff Oddie and Theo Ellis about performing live, guitar experimentation, and the pressures of a Mercury Prize win.
Ben Forrest reviews Bright Green Field, the long-awaited debut album from Brighton-based quintet Squid.
Ollie Judge and Louis Borlase talk to Liam Cattermole about Nicholas Cage, being blinded by lasers and their wonderfully anarchic debut album Bright Green Field.
The origin and evolution of electronic music is a rich and varied topic, but one band that often gets left out of the story is Telex. Ben Forrest charts their impact following the release of Mute Records’ compilation album, This Is Telex.
Hemma Daddral reviews Lana Del Rey’s seventh studio album, Chemtrails Over The Country Club, which delivers nostalgia to fans in a journey of reminiscence.
Ben Forrest reviews the new album from Leeds-based art-rock indie guitar gurus Mush, Lines Redacted.
Ben Forrest reviews the new album from Psychedelic Porn Crumpets, Shyga! The Sunlight Mound.
Fern McErlane caught up with Pale Waves’ frontwoman Heather Baron-Gracie ahead of the release of their second album, Who Am I?
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.
Harry Bedder reviews the new album from Icelandic post-rock aficionados Sigur Rós, Odin’s Raven Magic.