Neive McCarthy reviews It Won’t Always Be Like This, the long-awaited debut album from Irish indie-rock band Inhaler.
Rishi Shah reviews Ohio hardcore outfit Beartooth’s breathtaking new album, Below.
Kate Wassell reviews Wolf Alice’s long-awaited return, Blue Weekend, terming it their strongest project yet.
Writer and editor Owen Frost reviews Easy Life’s debut album, Life’s a Beach.
Ben Forrest reviews Bright Green Field, the long-awaited debut album from Brighton-based quintet Squid.
Ollie Judge and Louis Borlase talk to Liam Cattermole about Nicholas Cage, being blinded by lasers and their wonderfully anarchic debut album Bright Green Field.
Bridget Eke reviews the latest singles from Dave, ‘Titanium’ and ‘Mercury’, which see him maintaining his reputation for bars that consistently reside over our heads.
Eleanor Palmer caught up with Drug Store Romeos to gush over Alex G, discuss Murakami novels, and fantasise about Vietnamese jungle festivals.
Hemma Daddral reviews Lana Del Rey’s seventh studio album, Chemtrails Over The Country Club, which delivers nostalgia to fans in a journey of reminiscence.
Rishi Shah reviews the new spine-tingling track from Wolf Alice, ‘The Last Man On Earth,’ which marks their 2021 comeback.
Ben Forrest reviews the new album from Leeds-based art-rock indie guitar gurus Mush, Lines Redacted.
Ben Forrest reviews the new album from Psychedelic Porn Crumpets, Shyga! The Sunlight Mound.