Kyle Reviews Addison Rae’s New Drop Because We Are Nothing Without Our Stereotypes
You know me, Reader. I was lay (boyfriend’s bed, the Cuatro Torres just visible out the window, it’s Valentine’s Day,...
Kyle Galloway
A Dar(e)ing Foray into Bodily Fluids and Faulty Sound Design: Yes, I Went To See The Dare
So it’s like 2pm on Wednesday and I’m one flask of instant coffee and two RAND cold brews deep in...
Why I sacrificed a goat for Charli XCX on Thursday: The BRAT Remix Review
Sometimes I’m not sure how much I know about myself. In our age the self is punctured again and again...
Katy Perry and the Philanderer’s Tones: Why did 143 stink?
In the words of esteemed Parisian food writer and primary antagonist of the rodent-themed Pixar classic, Anton Ego, “the work...
What’s wrong with New York? Skinny sexed-up white men in two pieces, maybe.
If at this point in my tenure at Leeds I was having sex with a man and “Espresso” by Sabrina...
Jockstrap And Why Your New Favourite Celebrity is a Freak
Picture this, Reader: You gingerly take your first step out of your pee-stained Hyde Park flatshare, feeling the cold sneaking...
Yazmin Lacey’s ‘Voice Notes’: In Conversation, Warm to the Touch, and Constantly on the Move
‘Flylo Tweet’ opens the album and it feels like you open your eyes. You open your eyes and Albion Street...
Rat Party: Leeds’ Vacuum Sealed Queer Techno Treasure Trove
Friday 3rd February, midnight. At first glance, it looks something like a renaissance painting. Hungry black shadows eating up the...
Shygirl’s Nymph Tour is Dripping with Glitter and Ecstasy
Last Friday in Manchester’s cavernous Wesleyan chapel Albert Hall, Shygirl emerged on stage clad in sinewy black mesh and hung...
The Motomami versus the Alien Superstar: Divinity in the Digital Age
What is a woman? Rosalía’s third studio album, MOTOMAMI (2022), and Beyoncé’s seventh, Renaissance (2022), propose this question in a...