Paul and Paulette Take A Bath: Historically Insensitive or Innovative Genre Subversion?
Clara Swan reviews Paul and Paulette Take A Bath (2024), recently shown at Hyde Park Picture House, and evaluates director...
Arts and Culture
A Review of Symbolism in Handel’s ‘Susanna’: A Production by Opera North
Lisa Clark reviews the use of symbolism in Handel's 'Susanna', a production put on by Opera North. Handel’s opera ‘Susanna’...
One Battle After Another: A New Direction?
Paul Evangelista discusses One Battle After Another (2025), a new "direction" for the director. Writer-director Paul Thomas Anderson isn’t a...
Steve: A Look at Men’s Mental Health Through a New Lens
Lydia Stephenson reviews Tim Mielants' second collaboration with Cillian Murphy - Steve (2025) It isn’t very often you walk away...
Love’s Young Dream and its Inevitable Hangover
25 years after its initial publication, Francesca Langley gives a short review of Michelle Tea's Valencia. A cornerstone of San...
The Latest Culling: Leeds Loses The Imaginarium and Canned Heat
Image Credit: Rosie Nowosielski As July closed, so did The Imaginarium and Canned Heat, continuing the downward spiral of Leeds’...
Review: LUUMT’s Alice by Heart
You’ve heard this story before. Alice goes down the rabbit hole. She meets a few kooks in Wonderland. She almost...
Review: Erica Plays Mr Waddiger
Image Credit: Ruby Baines As August approaches one thing comes to many students’ minds: Fringe season. It’s a twenty-something theatre...
Review: Pop! The Musical
Image Credit: Megan Espie I often dream of pursuing a creative career whilst simultaneously feeling overwhelmed for what that might...
Review: Lost Paws
Image Credit: Abby Swain There are several difficulties that original, independent productions headed to the fringe face: cost of travel,...