Review: Pop! The Musical
Image Credit: Megan Espie I often dream of pursuing a creative career whilst simultaneously feeling overwhelmed for what that might...
Arts and Culture
Review: Lost Paws
Image Credit: Abby Swain There are several difficulties that original, independent productions headed to the fringe face: cost of travel,...
Cripping the Lens: Gender, Disability, and the Politics of Visibility
Syracuse, upstate New York, USA. Ruby, a twenty-year-old woman with Down’s Syndrome, stands on her single bed in proud assertion,...
“They destroy us slowly; every week a home”: the poignancy of No Other Land
Credit: Antipode Films/AP pic ‘We have no other land’. This is what a Palestinian woman said to Israel Defence Force...
Patrick Bateman: the blueprint for looksmaxxing and mewing culture
After three decades, Bret Easton Ellis’ American Psycho still stands as the most relevant satire for the Metrosexual man. Perhaps...
Spoken Word in a Hectic World: More Song, Less Silence
Poetry Event Review: Northern Lights In/Form and More Song - the importance of independent events in scope of the discussion...
Review: ‘The Effect’
The Effect, directed by Erin Williams, opened on Thursday night at the Pyramid Theatre in the union. Williams’ adaptation of...
Review: ‘The Intrusion’
Our writers Eve Leach and Felicity Haslin attended the press night of The Intrusion, Bric à Brac Theatre’s latest stage...
The Leeds Tealights Record an Album : LIVE! : A Review
I have always been curious about The Tealights, Leeds’ own sketch comedy student group. I have never had the chance to...
Love Is Blind… Or Is It Now Political? How Gender Ideological Polarisation Is Sabotaging Your Favourite Reality Show
Love Is Blind is a Netflix reality series where singles blind date, only hearing each other, with the goal of...