A Hurricane In A Bottle: Geese – Getting Killed Review
Geese are profoundly anti-cliche. Their avant-garde antics and general arch nature of unconformity have always been telltale signs, but artists...
album review
The Latest Feast: From The Pyre Review
Success in the music industry is an anomaly. Those who claw and scrape their way to the front lines of...
The Life Of A Showgirl: Is This Show Over?
Taylor Swift has been at the heart of pop controversy for over a decade, yet her newest album has even...
Everything Must Make Sense – The Sherlocks Review
After months of Instagram livestreams, single teasers and plenty of album variants, Everything Must Make Sense, the Sherlocks’ 5th album...
The Serene Socialism of Stereolab’s Dots and Loops
Stereolab are a quintessential band of the 1990s. The group captivated the underground alt-rock scene, balancing musically exuberant guitar drones...
Divorce: Drive To Goldenhammer – An Impressive and Transportative Debut Album
Off the back of 3 single releases and 2 EPs, Nottingham-based 4-piece Divorce have released their long-awaited debut LP Drive...
A Band that’s Big in the Suburbs: Interview with art-pop band Welly
Do you remember your Year 6 school disco? It’s too early to leave, so stay with me, dear Reader. The...
Squid: Cowards – An Inky Exploration of Evil
Squid’s slippery tentacles are encroaching Britain’s underground rock scene with their newest and perhaps most invigorating album, Cowards (2025). Previously...
Preacher’s Daughter or Pervert’s Son?
In a radio session where she played her whole 90 minute new album, Ethel Cain instructs listeners to ‘lie in...
Albums Turning 25 in ’25
As the 21st century reaches the quarter-decade mark, its time for a look back at the albums that heralded in...