A Hurricane In A Bottle: Geese – Getting Killed Review
Geese are profoundly anti-cliche. Their avant-garde antics and general arch nature of unconformity have always been telltale signs, but artists...
Daniel Brown
The Latest Feast: From The Pyre Review
Success in the music industry is an anomaly. Those who claw and scrape their way to the front lines of...
The Covasettes in Interview: Debut Album, returning to Leeds and all things Social Media
Amongst the hubbub and commotion of a stacked Kendall Calling weekend, I managed to take a moment of refuge in...
Kendall Calling celebrates it’s 20th anniversary in style
Daniel Brown reviews the sets that made up the stellar weekend of Kendall Calling 2025. The bleak financial landscape of...
The Royston Club – ‘Songs For The Spine’: A Vigorous Yet Vulnerable Step Into The Spotlight From The Welsh Indie Wonders.
“But I’m still thinking of her / when I’m not thinking at all”. A tender and admissive lyric? Yes. My...
Kendal Calling’s Stellar Lineup: Dan’s Top Picks
Kendal Calling is fast approaching, and lucky holders of a sold-out ticket are going to find themselves swimming in talent...
Basht. @ HPBC
In my ever-increasing efforts to escape the clutches of a passionless existence by getting a job within the music industry, I find...
Live Review: Overpass at The Wardrobe
It's the end of term, you’re tired, I'm tired. I seek petty respite and escape from the shackles academic deadlines...
Inhaler: Open Wide – the new era of Inhaler is here
Inhaler; we know the score by now. Commanders of the nepo-baby debate in music, generals of the vibrant Dublin music...
How did we get to the edge of the world? Brooke Combe in interview
For an artist, finding their sound can be as difficult a task as any, but through returning to her roots,...