Paul and Paulette Take A Bath: Historically Insensitive or Innovative Genre Subversion?
Clara Swan reviews Paul and Paulette Take A Bath (2024), recently shown at Hyde Park Picture House, and evaluates director...
Film Review
Steve: A Look at Men’s Mental Health Through a New Lens
Lydia Stephenson reviews Tim Mielants' second collaboration with Cillian Murphy - Steve (2025) It isn’t very often you walk away...
The Flawed Utopia of Megalopolis: Why Bigger isn’t Always Better
Image Credit: The Guardian “People don’t need dreams. People need help now.” Francis Ford Coppola’s Megalopolis is a $120 million...
Double Take reviews: ‘Nobody Wants This’
Is true love worth a sacrifice? In The Gryphon’s new regular arts column, Alice Patterson and Felicity Haslin review the...
The Outrun Starring Saoirse Ronan: An Opportunity for Her to Break Out of Her ‘Coming-Of-Age’ Shell?
Imagining Adam Sandler playing the lead role in a serious war film does not sit quite right with me. Or...
Children’s Horror Films Were Scary! A Look Back on Movies That Made Us Shiver.
Image Credit - IMDb Halloween season is upon us, and with it comes arguably one of the best film genres:...
Film Review: It Ends With Us
Trigger warning: domestic abuse Booktok certainly has its way of raising authors to fame and Colleen Hoover was no exception...
I want to take The Substance that makes me Margaret Qualley
On paper, a 2.5-hour body horror featuring Demi Moore and Margaret Qualley was destined for my Letterboxd top 5. I...
A Love Letter To Independent Cinema
Independent cinemas. We all love them. Most major cities in the UK have at least one (The Savoys in Manchester...
Review: Dune: Part Two
In the shadows of Arrakis, a boy grapples with legend and the threat of war looms – as Denis Villeneuve...