In The Middle

Ian Mahop 22 October 2025

Kevin Parker takes the listener on a blissfully groovy journey through his turbulent experiences of unrequited love on his fifth...

Daniel Brown 21 October 2025

Geese are profoundly anti-cliche. Their avant-garde antics and general arch nature of unconformity have always been telltale signs, but artists...

Clara Swan 15 October 2025

Clara Swan reviews Paul and Paulette Take A Bath (2024), recently shown at Hyde Park Picture House, and evaluates director...

Lisa Clark 13 October 2025

Lisa Clark reviews the use of symbolism in Handel's 'Susanna', a production put on by Opera North. Handel’s opera ‘Susanna’...

Paul Evangelista 13 October 2025

Paul Evangelista discusses One Battle After Another (2025), a new "direction" for the director. Writer-director Paul Thomas Anderson isn’t a...

Francesca Langley 12 October 2025

25 years after its initial publication, Francesca Langley gives a short review of Michelle Tea's Valencia. A cornerstone of San...

Molly Holmes 10 October 2025

Molly Holmes looks at how the definition of luxury is evolving, and argues that this evolution is not a death,...

Francesca Lynes 9 October 2025

Image credit: @superfriendzlds and @belgravemusichall on Instagram Craving your next hit of indie festival fun as we brace for Leeds’...

Ruby Tanner 9 October 2025

Ruby Tanner examines Demna's move from Balenicaga to Gucci and the culture shift he is creating. Image Credit: Vogue Business...

Arabella Wright 8 October 2025

It’s always hard to start again. Permanent (Joy) was born from a pivotal moment of transition for Alex Davison and...