Charlie Lake explores the recent re-release of Mac Miller’s ‘Faces’ (2014)
Two Months On…Is ‘Donda’ Kanye West’s Magnum Opus?
Over two months have passed since the release of Kanye West’s (now formally known as Ye) 10th solo studio album, Donda, which came to life following three performative public listening events. But how does the final version of the album stack up against his past releases, and the other big-name releases of the year?
Foy Vance hits all the right spots with new album ‘Signs of Life’
Pairing his typical Folk style with Soul, Country and Alt-Rock influences, Vance has created an album full of impassioned and heartfelt records.
Lana Del Rey’s ‘Blue Banisters’ is her strongest release this year
It seems as though Lana’s departure from working with Jack Antonoff has proved successful.
Dave’s new album proves he’s an artist truly ‘alone’ in his talent bracket
Wise beyond his years and bursting with talent.
Weird and Wonderful: Don Broco ‘Amazing Things’ Review
The Bedford rockers return with a seminal, cyberpunk masterpiece to assertively match the heights of 2018’s ‘Technology’
Life’s a Beach: A sun-drenched culmination of the Leicester group’s tongue-in-cheek ways
Writer and editor Owen Frost reviews Easy Life’s debut album, Life’s a Beach.
Superwhat? Supervillain – Czarface’s latest venture with DOOM solidifies their quirky panache
Owen Frost reviews the latest collaboration between Czarface and the late MF DOOM.
Whole Lotta Red: Playboi Carti at his most experimental
Hemma Daddral reviews Playboi Carti’s polarising Christmas release, Whole Lotta Red.
Arlo Parks stuns with lyrical prowess and silky-smooth vocals on debut album Collapsed in Sunbeams
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Pom Poko release weird and wonderful second album Cheater
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.
Marika Hackman’s Covers: Unexpected and soothing reimaginings
Freya Martin shares her thoughts on folk-rock artisan Marika Hackman’s new album, Covers.