Writer and editor Owen Frost reviews Easy Life’s debut album, Life’s a Beach.
Superwhat? Supervillain – Czarface’s latest venture with DOOM solidifies their quirky panache
Owen Frost reviews the latest collaboration between Czarface and the late MF DOOM.
Whole Lotta Red: Playboi Carti at his most experimental
Hemma Daddral reviews Playboi Carti’s polarising Christmas release, Whole Lotta Red.
Arlo Parks stuns with lyrical prowess and silky-smooth vocals on debut album Collapsed in Sunbeams
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Pom Poko release weird and wonderful second album Cheater
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.
Marika Hackman’s Covers: Unexpected and soothing reimaginings
Freya Martin shares her thoughts on folk-rock artisan Marika Hackman’s new album, Covers.
Transitioning from indie to alt-pop: Wallows release lockdown EP Remote
Katie Brown reviews Wallows’ follow-up EP to their acclaimed indie debut album.
Molchat Doma’s Monument: A gothic snyth-pop dance party
Ben Forrest offers his thoughts on Belarusian post-punk trio Molchat Doma’s new album, Monument.
Sufjan Stevens delivers another conceptual mega-album with The Ascension
Esme McGowan reviews Sufjan Stevens’ startling and poignant new album, The Ascension.
IDLES assert themselves as giants of alternative with Ultra Mono
Ben Forrest reviews Ultra Mono, the most recent album from underground post-punk greats IDLES.
Everything Everything’s Re-Animator, A New Chapter and A New Sound
Jessica McCarrick reviews art-pop indie band Everything Everything’s new album ‘Re-Animator.’
Declan McKenna’s Zeros, A Glam-Indie-Rock Musical Experience
Emily Swingle reviews indie singer-songwriter Declan McKenna’s new album, ‘Zeros.’