Anya Taylor-Joy, Pretentiousness, and The Disney Machine
Isobel Moore considers how Anya Taylor Joy's rejection of Disney slots into the broader debate surrounding ndie vs. blockbuster filmmaking.
Isobel Moore considers how Anya Taylor Joy's rejection of Disney slots into the broader debate surrounding ndie vs. blockbuster filmmaking.
Maddie Player reviews the new single by indie band Owner Club
Graham Leslie Coxon is best known as the expressive lead guitarist for 90s Britpop-pioneers Blur - the monolith band used
Kyle Galloway reviews Shygirl's performance as part of her 'Nymph' tour in Manchester.
Charlie Lake relives The Big Steppers Tour at Leeds' First Direct Arena.
Erin Clark reviews Fontaines DC's gig at the O2 Academy, Leeds.
Bella Wigley reviews Aftersun, Charlotte Wells' debut feature film.
Eat Your Own Ears returned for an expectedly star-studded anniversary show in Manchester’s iconic Depot Mayfield, as part of The
Bella Wigley reviews Luca Guadagnino's latest horror-romance.
Haçienda 40 was what I imagine the closest thing to stepping into a time machine and soaking in the sounds