Review: LUUMT’s Alice by Heart
You’ve heard this story before. Alice goes down the rabbit hole. She meets a few kooks in Wonderland. She almost...
Arts and Culture
Review: Erica Plays Mr Waddiger
Image Credit: Ruby Baines As August approaches one thing comes to many students’ minds: Fringe season. It’s a twenty-something theatre...
Review: Pop! The Musical
Image Credit: Megan Espie I often dream of pursuing a creative career whilst simultaneously feeling overwhelmed for what that might...
Review: Lost Paws
Image Credit: Abby Swain There are several difficulties that original, independent productions headed to the fringe face: cost of travel,...
Cripping the Lens: Gender, Disability, and the Politics of Visibility
Syracuse, upstate New York, USA. Ruby, a twenty-year-old woman with Down’s Syndrome, stands on her single bed in proud assertion,...
“They destroy us slowly; every week a home”: the poignancy of No Other Land
Credit: Antipode Films/AP pic ‘We have no other land’. This is what a Palestinian woman said to Israel Defence Force...
Patrick Bateman: the blueprint for looksmaxxing and mewing culture
After three decades, Bret Easton Ellis’ American Psycho still stands as the most relevant satire for the Metrosexual man. Perhaps...
Spoken Word in a Hectic World: More Song, Less Silence
Poetry Event Review: Northern Lights In/Form and More Song - the importance of independent events in scope of the discussion...
Review: ‘The Effect’
The Effect, directed by Erin Williams, opened on Thursday night at the Pyramid Theatre in the union. Williams’ adaptation of...
Review: ‘The Intrusion’
Our writers Eve Leach and Felicity Haslin attended the press night of The Intrusion, Bric à Brac Theatre’s latest stage...