Inter Alia: The Weight of Womanhood
Edie Bright reviews National Theatre's Inter Alia, and passionately writes about the weight of womanhood, both on and off screen....
arts and culture
Review: Open Theatre’s ‘The Department of Lost Time’
Lisa Clark reviews Open Theatre's 'The Department of Lost Time,' reflecting on the play's memorable moments. LUU’s Open Theatre Society’s...
Urchin: Harris Dickinson’s unflinching directorial debut
Lucy Barstow reviews Harris Dickinson's 'Urchin' in an insightful way, compelling readers to go watch the movie! Renowned for his...
Is Mr Fox actually ‘Fantastic’ or instead a selfish husband and a bad father?
Scarlett Sheehan writes a character analysis on Mr Fox, analysing whether he is truly 'fantastic'. Wes Anderson’s adaptation of Roald...
Experimentalism: Art’s Big Problem
Caitlin Wolfheimer reviews Transform Festival's blackmilk and offers her wider thoughts on experimental performances. Transform Festival, known for bringing experimental...
Van Palmer, You Mean the World to Us
Following the announcement of the final season of Paramount's Yellowjackets, Francesca Langley writes an ode to the character of Van...
Film Review: I Swear
Lydia Stephenson reviews Kirk Jones' I Swear and discusses the key themes and highlights of the movie! “I’m so tired”...
Exhibition Review: THERE IS NOT A FASHION
Momnah Shahnaz reviews the THERE IS NOT A FASHION exhibition taking place at Hyde Park Book Club and discusses details...
Paul and Paulette Take A Bath: Historically Insensitive or Innovative Genre Subversion?
Clara Swan reviews Paul and Paulette Take A Bath (2024), recently shown at Hyde Park Picture House, and evaluates director...
A Review of Symbolism in Handel’s ‘Susanna’: A Production by Opera North
Lisa Clark reviews the use of symbolism in Handel's 'Susanna', a production put on by Opera North. Handel’s opera ‘Susanna’...