Bridget Eke reviews the latest singles from Dave, ‘Titanium’ and ‘Mercury’, which see him maintaining his reputation for bars that consistently reside over our heads.
Kelsey Raynor dives into Lil Nas X’s newest single ‘Montero (Call Me by Your Name’, one of the most proudly queer statements ever made in hip hop
Eleanor Palmer caught up with Drug Store Romeos to gush over Alex G, discuss Murakami novels, and fantasise about Vietnamese jungle festivals.
Hemma Daddral reviews Lana Del Rey’s seventh studio album, Chemtrails Over The Country Club, which delivers nostalgia to fans in a journey of reminiscence.
Esme McGowan chats to the Leeds-born and bred Rap Game winner about life since the show, working with his heroes and making his family proud.
Benjamin Forrest reviews I Am a Cliché, the new film celebrating the life of punk pioneer Poly Styrene, frontwoman of the iconic and influential X-Ray Spex.
For Women’s History Month, Eleanor Palmer tracks the contributions of women to the shoegaze and dream pop genres over the years.
Rishi Shah reviews the new spine-tingling track from Wolf Alice, ‘The Last Man On Earth,’ which marks their 2021 comeback.
The 2021 blockbuster drama It’s a Sin, created by queer screenwriter Russell T. Davies, explores the lives of young people affected by the emergence of the HIV and AIDS epidemic in the 1980s. The Gryphon music editor Fern McErlane takes a close look at the eighties-inspired soundtrack, and how music is used within the show. Warning: this article contains spoilers…
Ben Forrest tracks the history and impact of LGBTQI+ new wave pioneers, The B-52’s.
Liam Catterhole talks us through his thoughts on Slowthai’s latest, Tyron, an album of two very revealing halves.
Alex Gibbon chats to some of the creatives from LUU BandSoc about the struggles of being a musician in these hugely uncertain times.