Kiosk – ‘Heaven Sent/ Sure Shot’ Review
Formed by Isabella Alcock (vocal, synths) and Rory ‘Maz’ Maslen (bass/synths), the Leeds based electronic duo Kiosk has been making...
leeds
Cavetown – Live Review
Halfway through their Running with Scissors Tour, Cavetown arrived in Leeds to play a sold-out show at Project House on the 17th of March....
Northern’s Gentleman Jack – a testament to ballet
Lily Rodney reviews Northern Ballet's production of Gentleman Jack at Leeds Grand Theatre. Timothée Chalamet recently sparked outrage by dismissing...
Micro-Joys: Tiny Things That Stabilise You
What is a micro-joy? A micro-joy is a small, sometimes mundane moment or action that brings a little extra light...
KEO Live at Stylus: A Curious Case on an otherwise Meteoric Rise
I am easily pleased. The irony of that statement is that it almost exclusively comes out the mouths of individuals...
Identity in Isolation and Imprisonment: A Review of Open Theatre’s ‘What Remains?’
Jess Cooper reviews the newest Open Theatre play, 'What Remains?'. Image Credit: LUU Open Theatre Society It seems incredibly ironic...
‘Not broken, just begun” – Lucy Rose Live Review
“Hate cannot drive out hate, only love can do that . . . darkness cannot drive out darkness, only light...
The Church Stands Tall But The Cavs Stands Taller – Hallowed Ground Single Review
The Cavs, one of Manchester’s finest bands (not to be confused with the Cavaliers basketball team) have been picked out...
Don’t Dream It, Be It: Drag Society’s Performance of The Rocky Horror Picture Show
Jess Cooper takes us on the Time Warp as she reviews Drag Society's performance of The Rocky Horror Picture Show...
PVA Will Have You Glued To The Dancefloor
Touring their second record, No More Like This (2026), PVA unleash a precision that feels both intimate and ferocious. Illuminated...